A 3D animated short film about a mechanic, her robot companion, and the path they take to reconnect their relationship.

After the bombing of Pearl Harbor 8 year old Hanako and 120,000 other Japanese Americans are abruptly ordered to leave everything they once called home to live inside deserted internment camps. Based on my grandmother, Hisako Kido Yasuda's, real experience.

Known for addressing colonial histories and erasures through traditional Indian and Persian manuscript paintings, Artist Shahzia Sikander is creating two sculptures for her first major public art commission in New York City. “Witness” is installed in Madison Square Park, a short distance from its counterpart, “Now,” sitting atop the Appellate Division, First Department, Supreme Court of the State of New York alongside statues of famous lawmakers like King Louis IV and Moses. Through these pieces, Shahzia reimagines the monument as a marker of boundary-breaking, feminine spirit, and collective visibility. Shahzia's work is especially timely in light of recent legislative battles surrounding women’s reproductive rights in the United States, as well as the ongoing fight for equitable representation in society at large.

A famous Japanese American ballroom dance duo must choose between their passion or their lives as WWII concentration camps begin to rise in the U.S.

A Chinese American boy wants to celebrate his birthday, but as a part of the Qingming Festival, must instead follow tradition and pay respects at the graveyard to his grandfather who he’s never met.

Dinner for two turns deadly when Korean and a Korean American fight for the check — and their honor — in this zany martial arts comedy.

A poetic conversation between an immigrant daughter and her mother about sacrifices and dreams.

“Dear Watsonville” is a mixed-media documentary offering an intimate glimpse into the lives of the manong generation, the first generation of Filipino migrants to arrive en masse to the U.S., as seen through the eyes of their children. It unfolds in three distinct vignettes, each focusing on the migration stories and day-to-day experiences of three Filipino families. The film distinguishes itself with its experimental use of community-sourced oral histories, archival images, and hand-drawn illustrations. Together, these elements weave a moving narrative about resilience, placemaking, and childhood.

Meimei grows up in Taiping, Malaysia with Grandma and learns the traditional practices of her culture. Grandma introduces Meimei to the gods, and Meimei teases them. When Meimei moves to New York City, she loses her connection with her culture. Meimei returns to Malaysia after her grandma’s death.